Archive for the ‘Competitions’ Category

Why the Gadda ended up Irish

Monday, July 4th, 2011

It’s been a year since Secret Ones was released, launching Nicole R Murphy’s “Dream of Asarlai” series. This month sees the series reach it’s grand finale with the release of the third book,  Rogue Gadda.

As most of you know, I was quite excited by Nicole’s debut novel, Secret Ones, which blended wonderful imagery of a dry Australian outback with a lush green (and damp) Ireland, created the perfect characters to live in these worlds, mixing  it all together to present the reader with a delightful romance with a dash of crime & mystery, and a good dollop of hot steamy lust (I am tempted to make bad jokes about what do you get when you combine a hot Australian with luscious Irish… but I won’t).

It’s amazing to think that this seamless blend of cultures Nicole has created, wasn’t how she originally saw the stories coming together, but we’re lucky enough to have Nicole as our guest blogger today, sharing insights into how it all came to be!

If you’d like the chance to win Rogue Gadda, Nicole and HarperAus have kindly offered a copy to give away, to anyone in the world, just answer Nicoles question at the end of this post.

Over to the lovely Nicole R Murphy:

Writing a Celtic-based book was NOT my aim when I started writing the gadda books. Back then, they were called the opear and in my vision, they were wholly and solely Australian.

But then I came across a problem. Two problems, actually. You see, in order to fully suspend my disbelief, I need a trigger. Take two of my favourite authors for example – Keri Arthur and Charlaine Harris. Keri’s Riley Jensen series is set in Melbourne (a city I know reasonably well) and posits a world in which vampires, weres and other assorted folks live openly amongst humans. So to does Charlaine Harris’ Southern Gothic (aka Sookie Stackhouse) series. However, Charlaine’s books give an explanation for this – the Japanese have invented Trueblood and so vampires no longer have to live in hiding. Keri’s books don’t – they’re written as an alternate Melbourne.

I do love Keri’s books, but all the time I’m reading them, I get jolted out whenever I’m confronted with having to just accept humans and the supernatural interacting. Whereas I don’t have any issue with Charlaine’s books and so can submerge into them.

When you’re writing, you’ve got to be able to submerge and believe. If you’re questioning, it’s going to come out in the story and then the readers will question too. So I had to have a plausible explanation for a world in which humanity lives alongside magic wielders.

My answer was a completely different race – human-like creatures that came from a different set of ancestors to humans and as a result, have a different relationship with the world around them. From an evolutionary sense, it seemed possible for two distinct races to evolve and appear physically identical – take the differences between the big cats for example, which tend just to differ in cosmetic ways.

So, there I was, with my mythical non-human race. Excellent, thought I. Now, to make them Australian.

This is where I hit problem number two. I’ve lived and worked in Aboriginal communities, and have a great deal of respect for the ownership tribes take over their Dreaming stories. So I started trying to work out how I could have a race of human-like creatures evolving here in Australia without stepping on the indigenous mythology of our country and – couldn’t. It made my brain hurt.

So with a heavy heart, I gave up. Time to look at this from a different perspective, I thought. Humans originated in Africa. What place on Earth is the most unlike Africa? The first place that came to mind – Ireland.

It was one of those random ideas that turns out to be perfect. Ireland is stepped with mythology and a belief in magic – the perfect place to be the home of a secret magical race. And because the opear as they then were aren’t human, I didn’t have to be a slave to Irish mythology because it was a human view – not their view.

So I picked bits and pieces. The word ‘gadda’ is a mix-up of the name ‘dagda’, which is one of the Irish fairy kings. Most of the terms in the books – the names of the guardians, the monsters and so on – are amalgamations of Irish words. Fatharr, the giant monster in Power Unbound, was a mix of snake, lizard and horse because they are important, powerful creatures in Irish mythology.

And so you have it – how the gadda became Irish.

I haven’t given up on setting a fantasy in Australia – I love this landscape too much, see so much mystery in it that I have to do it. One day, the idea will come.

In the meantime – thank you Ireland.

Giveaway question – to win a copy of Rogue Gadda, tell me where you would base a secret magical race? Winner will be chosen at random. Open to international entries.

Rogue Gadda cookie

Pushing the disturbing thoughts from his mind, Hampton called on his power and fed it into his fingernails, lengthening and strengthening them to handle the pressure of the wire strings. He pulled the harp back to lean on his shoulder, took a deep breath and another to calm his heart rate, and then he started to play ‘Brian Boru’.

Van Badham’s Night of Terror

Monday, April 18th, 2011

Burnt Snow by Van BadhamBurnt Snow burst onto the shelves last year to great reviews. It’s an amazing debut from Aussie Author Van Badham.

Here at Fang we read a wide range of books, but I accept that I’m a complete wuss. I loved Burnt Snow but I found that the level of increasing suspense affected me quite strongly, especially if I was reading just before trying to sleep!

So I asked Van: “Do you ever creep yourself out when you’re writing? LMAO! Give yourself nightmares? “

OMG, all the time. I’m very inspired by Wes Craven in this regard, who’s the filmmaker who made the ‘Nightmare on Elm Street ‘movies and a zillion other horrible, spooky things. He’s actually a college English Literature professor, and someone once asked him why he’d ended up with a double career as a horror maestro – did he like scaring people? He said no, what he sought in making horror movies was the ‘release from fear’.

For me, reaching into the black mud swamp of my own fears and dragging these monsters onto the page helps me to deal with them. In many ways having a vivid imagination is a blessing, of course – but there is a very nasty trade off that comes with that, which is that your darkness is also vividly dark.

Over Christmas last year, I was living in London and it was a particularly bleak winter, with a lot of snow and very little daylight. Just getting to and from my job at the theatre was an ordeal, marching through snow and sleet, and a friend who was going away for Christmas gave me the key to her flat, which was just near the theatre, in case I couldn’t face the struggle to get home. One night I got stuck working late after feeling very unwell all day, and as it was snowing and pitch black dark, and my boyfriend was working a nightshift and wouldn’t be home, I decided to stay the night at my friend’s empty flat.

The flat is in an old spooky building, with long silent corridors and doors that open and close without making any noise. Because my friend is just in London temporarily, the flat is very sparsely furnished. She also has a child and as it had been a rush to catch a plane to get away, the flat had that aura of being abandoned – a stray child’s shoe here, a dropped toy there made it look like the scene of a kidnapping. I got inside and felt a bit creepy – it’s a flat with very high ceilings that made me feel small and under observation.

I took my coat off, and that’s when I realized I was very, very sick – my clothes were actually stuck to my body with sweat. I decided to have a shower, and while I was in the shower I started getting flashes of purple and green lights in my vision and my head got all light – out of the shower, I was on my hands and knees on the freezing cold tile floor, desperately trying to stay conscious. I managed to shuffle into the spare room, and despite the fact that I was sweating really heavily, I felt incredibly, incredibly cold. I dragged in two heaters and put them on full-bore, shut the door of the room to seal the heat in and buried myself under about three quilts before turning off the light and trying to sleep.

I couldn’t. The room was lightless dark, and I was still freezing, and the heaters were humming, and I was hearing every creak and tremble in this place. I convinced myself there were ‘presences’ in the flat. That they were wandering around in the dark void beyond the door to the room, rubbing against one another, whispering something. And this lasts for hours – me, stiff with fear, trapped in this room, listening to these evil things stirring beyond the door, sweating, freezing, and believing that I’m trapped in this room until morning. I reach for my phone to call my boyfriend and I’m terrified that just the lights of the mobile keys are going to draw the presences to me – like moths – that it will be some cue to come and… do ‘something’. Dissolve me, swallow me, mutilate and torture me, lead me into a darkness I can’t get back out of… I call and call but the phone rings out; my boyfriend’s on nightshift, he can’t answer.

Finally, my rational mind decides I am just being childish and it’s just because I’ve got some kind of flu, and I force myself to fumble for the bedside lamp and turn the light on. My fingers are actually wet on the light switch, I am sweating so much. Light goes on, it’s a very weak bulb and the room is still quite dark. The heaters are making this gurgling, whirring noise, everything’s in brown light, and there’s a black shadow in the middle of the opposite wall. And I can’t understand why it’s there. I can’t work out what is causing this black pool of shadow. My eyes dart around the room, and as they do, I think I see glimmers of movement in the shadow, as if it’s more of a blob, and it’s starting to stir.

I don’t want to look at it, but I don’t want to turn off the light, so I roll over, clutch my phone, send out a twitter message begging someone to get my mother in Australia to phone me because it’s the middle of the night and I can’t call her from my phone and everyone I would call in London is asleep. My mother does call, and I speak to her under the quilts and tell her in whispers: ‘There’s a moving shadow on the wall and I think it’s turning into a blob.’

‘Everything will be all right,’ says my mother, ‘stay under the covers.’

She will keep trying my boyfriend’s number, she says. Then she hangs up. The heaters whirr. I can hear the beat of my pulsing heart. Then the sound of the heaters turns into something like a chortle.

A long, sustained chortle.

I am hiding under the covers and sweating and freezing and hearing this wet, croaky chortle and my pillow is damp under my head and the voice of the chortle says: ‘look at me… look at me…’

I curl up in a foetal position in the bed and I can barely breathe under all the covers and while the voice is repeating ‘look at me… look at me… ‘I’m clutching my phone, praying for my mother or my boyfriend to call me and then the blankets of the bed start moving, like they’re being pulled away. Like something is pulling at the blankets and it’s the voice that wants me to look at it and I am so cold that when a blanket exposes my feet the skin I’m so icy cold that I bolt upright in bed and scream ‘Leave me alone!’ and yank back the blankets and the sheets that are sliding off the bed while I try not to look at the blob that’s oozing from the wall.

It oozes from the wall as if it’s vegemite being squashed through a biscuit, and all the black tubes of ooze pile on top of one another and they are forming the legless rump of a demon. I can’t tear my eyes away from the pile of ooze, and I realize that the thing has sprouted tiny arms, and that a wide crack between two layers of ooze is a mouth, and that above that mouth are nostrils and above that two blind eye-sockets. The demon is taller than me, as wide as an armchair, made out of layers of oozed black slime – and then a fat, pink tongue rolls out of its mouth, wet, the length of a pillow – and I scream.

It says: ‘I am every bad thing you’ve ever done.’

I scream and scream and I’m backed against the wall, crouching on the bed – and while I’m screaming at this thing, my mum rings. And I grab the phone and scream and beg into it that she rescues me from this demon. ‘It’s at the end of the bed and it’s rolling this massive spongey tongue at me, it wants to swallow me whole.’

Mum explains, very calmly, that the demon can’t see me. ‘It can’t walk because it has no legs, it can’t grab you because its arms are too short. So, as long as you stay in the bed, and bury yourself under the blankets, you’ll be safe from the reach of its tongue. The demon will dissolve when sunlight comes in through the window.’

Then, she promises – I make her promise – my boyfriend will arrive and we can escape.

And I cry, and I cry, and I can’t work out if the water on my face is from tears or from sweat, but I huddle against the wall wrapped in the blankets and quilts. I cry and I cry and I drop the phone on the ground and when it rings I don’t answer it because I won’t let a single inch of my body beyond the border of the bed.

The demon rolls its tongue, laughs at me – the laugh of slime and excrement and bowels. And I keep crying and it keeps laughing until my light head and my crying overwhelms me and I pass out in a cloud of greyness.

Okay.

So when I wake up in the morning I am too weak to stand, but the light on my phone is flashing from the floor. I manage to look at the opposite wall – but there is no demon. The only noise is the heaters, still whirring. I risk snatching the phone from the floor. It is my boyfriend – he tells me to leave the flat. ‘Get a cab straight to the doctor’s, because it will be faster than waiting for me.’

I realize I am in beige light. It is a murky dawn, but light is coming in through the window.

I got out of the flat, out of the building, onto the cold grey street, managed to hail a taxi, and fell into my boyfriend’s arms outside the doctors’ surgery. My boyfriend carried me into the doctor.

My temperature was reading 39. This is officially pyrexic – my body had been trying to fight the onset of ‘swine flu’ by making itself as hot as possible to boil and kill the virus. The temperature has overheated my brain, and this and extreme dehydration has been causing me to hallucinate.

So there were no actual demons oozing out of the walls?

No. Just ‘swine flu’ and that vivid imagination, oh golly.

I creep myself out writing these books all the damn time. But it is a very necessary release from fear when you’ve got a brain that sees ‘demons crawling out of the walls’ when you are sick.

PS How good is my mum? She has been dealing with situations like this for a very long time.

Huge thanks to Van for donating a copy of Burnt Snow to a lucky reader.  To go in the draw to win this, just leave a comment about what creeps you out!  The competition will close on Wednesday 20 April at 3pm Sydney time.

Trent Jamieson on There’s No Place Like Home (and competition!)

Tuesday, April 12th, 2011

Trent JamiesonWe love Trent Jamieson! His Urban Fantasy series Death Works is shaping up to be one of our favourites. So far there are two books out, Death Most Definite,  released in August 2010, and  Managing Death, in December 2010.  After building the suspense, Trent is now making us wait until September for book three, The Business of Death.

Trent’s series is based in Brisbane, and we asked him what drew him to write about his home town.

…………

I get asked a bit why I write about Brisbane?  And the answer is quite straightforward.

Even in writing fiction that is essentially escapist (yeah, there’s other stuff in there, but on the surface it’s about explosions and love) there’s a real delight to be had in exploring the landscape you know. It’s not just about authenticity, it’s about the fun of writing about places that you love, and finding something new and unexpected in them (and blowing them up on occasion).

Brisbane is my home, it’s a wonderful, bustling city with an excellent and varied arts community, some very striking architecture, and I love it.

Almost from the day I moved here (God, was it fourteen years ago?!) I’ve had the streets and buildings of Brisbane featuring in my stories. I’ve peopled it with all sorts of characters, I’ve found odd little places that demand a story and I’ve tried to write them. Brisbane’s been a constant source of inspiration to me.

So, yeah, that’s why I write about Brisbane.Death Most Definite

But, I think the question itself is a little complicated, well, the reason that it’s asked. If I was based in New York or London and wrote about those cities, I wonder if I would be asked the same sort of question.

Brisbane’s hardly regarded as an iconic city, people say. It doesn’t have the weight of New York or London. Yeah, well, places don’t become iconic until they’re made iconic. They don’t grow heavy with story until people start telling them, and I’d like to think that, along with all the other Brisbane writers, I’m part of that tradition. I refuse to engage with that cultural cringe that somehow makes everything familiar unworthy.

We’re all here, as writers to tell the stories that are important to us, and Brisbane is very important to me. From the brown, and slightly ominous coils of the Brisbane River to the flashing transmitters atop Mt Coot-tha, and the knitting needle bunches of the Kurilpa Bridge Brisbane is full of stories (and the possibility of adventure, explosions and love).

I’ve never had trouble finding wonderful places to write about, or finding interesting bits of history (Mt Coot-tha really was once called One Tree Hill).

Managing Death by Trent JamiesonNot every secret history needs to be set in London, or New York. The Americans and the English use their settings (warts and all) without a hint of cringe so why shouldn’t we?

And, while I’m not saying that writing about your home is what everyone should do (that would be silly, we write what fascinates us, not to some sort of prescription) it surprises me that this seems an odd or peculiar thing – or somehow brave. Isn’t it for the odd and peculiar that we hunger?

And, besides Brisbane is like any city, people live and die here, and every single one of them has a story.

Real struggles are met every day. Real issues, to be critiqued and/or celebrated abound, and I’m sure that’s the same for where you live, too. If you’re considering writing about your home town, I can highly recommend it – and as a reader, I love reading about other people’s cities and towns.

………………..

COMPETITION!!

The wonderful people at Hatchette have given us three sets of Trent’s books to give away!  Amazing I know… three sets of Death Most Definite and Managing Death!

All you need to do is leave a comment on the blog explaining why you think Australia makes for an interesting setting for a book (or not!)

The competition will be open for until Friday afternoon 15 April and we will announce the lucky winners then.

Sorry folks, this is only open for Australian entries…..

Want to meet Stephenie Meyer?

Thursday, January 13th, 2011

AUSTRALIAN AND NEW ZEALAND FANS IN WITH A CHANCE TO MEET STEPHENIE MEYER!!

LITTLE, BROWN BOOKS FOR YOUNG READERS TO HOST AN INTIMATE GATHERING OF TWILIGHT FANS FROM AROUND THE WORLD TO MEET STEPHENIE MEYER TWILIGHT INTERNATIONAL FAN EVENT TO CELEBRATE UPCOMING RELEASE OF THE TWILIGHT SAGA: THE OFFICIAL ILLUSTRATED GUIDE

ATOM FAN COMPETITION ON WWW.STEPHENIEMEYER.CO.UK

London (12th January, 2011) – Little, Brown Books for Young Readers, a division of the Hachette Book Group in the US, will host a special International Fan Event, featuring Twilight fans from around the world.  Ten fans will be chosen to have an once-in-a-lifetime intimate meeting with bestselling author Stephenie Meyer.  The event coincides with the upcoming international release of The Twilight Saga: The Official Illustrated Guide on April 13, 2011)

Little, Brown US is partnering with Atom in Australia, New Zealand and the UK and all the other Twilight Saga publishers around the globe to find the lucky Twilight fans who will attend this event. Each special guest will receive an advance copy of The Official Illustrated Guide and get to talk extensively with Meyer, who will answer their Twilight-related questions.

“The one thing I miss most about my first book tour was the chance I had then to spend quality time with my readers,” said Meyer.  “At an event with just ten or twenty people, I was able to get to know everyone a little bit.  I could also more effectively answer each person’s questions.  I’m so excited to have that opportunity again, and to get to spend time with fans from many different places and backgrounds.”

“We receive hundreds of travel requests for Stephenie from our foreign publishing partners every year,” said Megan Tingley, Senior Vice President and Publisher of Little, Brown Books for Young Readers.  “Since it is physically impossible for one author to be in so many places, we thought this would be a great way to bring some fans to her.”

Fans from Atom’s international English language territories will be invited to upload a short video clip explaining why they are the ultimate Twilight fan. Finalists from Australia, India, Ireland, New Zealand, South Africa and the UK will go on to a final judging round, from which the ultimate Twilight fan will be picked. Further details can be found at www.stepheniemeyer.co.uk.

Due to the intimate nature of this event, details regarding the location and timing are being kept confidential, but photos and additional details will be distributed upon the event’s conclusion.

The Twilight Saga: The Official Illustrated Guide provides readers with exclusive new material and everything they need to further explore the unforgettable world Stephenie Meyer created in Twilight, New Moon, Eclipse, Breaking Dawn and The Short Second Life of Bree Tanner.  The Guide also includes character profiles, outtakes, a conversation with Meyer, genealogical charts, maps, extensive cross-references, and much more.  Originally announced as “The Official Guide,” The Twilight Saga: The Official Illustrated Guide includes illustrations from several artists, including Young Kim, the illustrator behind the #1 New York Times bestselling Twilight: The Graphic Novel, Volume 1.

In five years, Stephenie Meyer has become a worldwide publishing phenomenon.  The Twilight Saga’s translation rights have been sold in nearly 50 countries and 116 million copies have been sold worldwide.

In Australasia  sales of the Twilight Saga now total close to 5,000,000!

Atom is an imprint of Little, Brown Book Group, a division of Hachette UK and distributed in Australia by the Little, Brown division of Hachette Australia. Launched in 2002, Atom publishes fiction for young adult readers with writers as talented and diverse as P.C. & Kristin Cast, Melissa de la Cruz, Lisi Harrison and, of course, the phenomenal bestseller Stephenie Meyer.

Entries must be lodged by February 22, 2011. For further details about the competition go to http://www.stepheniemeyer.co.uk/superfan/

Win Shadowfae by Erica Hayes!

Friday, October 1st, 2010

I’m sure most of you know that book three in Erica HayesShadowfae Chronicles series “Poison Kissed” has just been released. However, rumour has it that there are actually people in this world that HAVEN’T yet read book one, “Shadowfae“!

We at Fangtastic Fiction thought that this was a crying shame, and as the lovely people at Macmillan have given us an extra copy, we would like to share this with you.

Now, in a shameless plug for Fang on Facebook, we’re going to test the facebook waters and try out the ‘discussion‘ section. We’re complete n00bs when it comes to Facebook, so help us out!

We’ve had such wonderful discussions through competitions in the past that we’ve got to try it again, just this time it’ll be on facebook. I was thinking of something eBook/eReader related…. but I think we’re all pretty much sick of anything with ‘e’ in it. So let’s go with something a little different. There was recently a discussion on twitter accusing Fangbooks of being “book pimps” – now we proudly claim this title, holding heads high, with big smirks, and a few more suggestions… this of course lead to the symptoms of #bookaddiction.

So come join us on our facebook page, and share symptoms of #bookaddiction that loved ones should look out for, or, if you can, advice to those who suffer from this terribly debilitating illness.

The competition is open world wide, but as this has some hot erotic scenes, we’d better make it open only to those over 18 (sorry guys) – so make sure you declare that you’re 18+ in your comments, and as this is supposed to be a plug for our Facebook page, you have to really really like us.  We’ll to a random draw end of october.. so confess away!

….. Only comments made on Facebook are considered to be entries ….